Featured Jazz Artist: Vladiswar Nadishana
Vote for Vladiswar Nadishana in our Top "Fuse This Jazz" Artists

About Vladiswar Nadishana

Vladiswar Nadishana is a Russian multi-instrumentalist and composer, who creates his own unique approach to music, web design, dance and videoart.

His music style is ethnic fusion, ethnic jazz or world fusion - the creative synthesis of different musical traditions of the world on the basis of contemporary technologies.

He elaborates the unique playing technique on each of his instruments and his own approach to advanced digital audio editing called "sound microsurgery"

In 1990 along with studying at the Cinema Engineers Institute in Sankt-Petersburg Vladiswar Nadishana began his self-education in playing guitar. Then he mastered other instruments like fretless bass guitar, sitar, mandola, chanzy, jew's harp, ethnopercussion (darabuka, djembe, kalangu, udu, frame drums); winds (bansuri, quena, kalyuka, zhaleyka, gayda). Besides he has created some experimental musical instruments: dzuddahord, pruzhingum, plastrimbaphon, rablorrum, ghostcatcher, pin-sansa, spring-pivot-gamelan, banbang (preparated beer- and coffee-tins) etc.

In 1991 he founded his first group "Soulbuilding Society" together with Lavrenty Mganga, then he played in "Ensemble Ri" with Lavrenty and Youl(1996). He also launched two other projects with Youl: "Phonic Duet"(1994) and "The Fourth Race" (2001). 2000 - was the foundation year of a trio "Russian-Tuvinian Karma Knot" with a throat singer from Tuva, Ayas Holazhyk. Vladiswar also plays in the group "Capercaillies at the Treshold of Eternity". In Berlin he works with famous ethno DJ Genetic Drugs and with Ramesh Weeratunga, a musician from Sri Lanka . All these groups and artists create music based on an experimental synthesis of musical traditions from all over the world. (ethno jazz, ethno fusion, new world music etc.)

Since 2000 Vladiswar lives in "Tibercul" the biggest ecovillage of the world. There he established "The Department of Sound Microsurgery" (DSM) . DSM is a creative research laboratory, tackling a wide variety of project: from mastering unknown ancient musical instruments to investigating the influence of modern sound electronics on the human energy structure. The Department researches also how musical instruments influence the consciousness and inner organs of the human body(the project «Move Your Chakra!»).

One of the latest projects is the creation of an original energy-dancing system and composing the music for it.

V. Nadishana created some solo albums in his own studio recording with computer using a multi-track overdubbing method. Vladiswar possesses a big collection of musical instruments (more than 100) from different parts of the world.

He is laureate of the international festivals "Ustuu-Huree", "The Sayan Ring" and "New Songs of the Old Lands", and he is also the founder of the ethnofestival "Free of Karma Zone".

Since 1998 V. Nadishana engages active research in reconstruction of aboriginal culture of Kuzhebar (South Siberia). The examples of this research are music, dance, visual art, motional practices, etc. This research is strictly practical - each researching subject practicing like a lifestyle.

 © Vladiswar Nadishana


Discography

You can order the CDs or individual downloads (high quality mp3) from artist's web site.


The Traditional Music of Ancient Kuzhebar Aborigines (2005)
The unique fusion of different musical ethnic cultures, the instruments from all over the world, outstanding cat Basik on vocal (!), self-made unusual instruments and creative experimental way of working with sound electronics.


Takku Tatei(2000)
The music on this CD contains influences of bulgarian, indian, arabian, kuzhebarian and russian musical traditions. In this work various unusual methods of audio editing are used .
Vladiswar Nadishana plays on: bansuri, tabla, manjira, yeioing bamboo flute, kalyuka, zhaleyka, gayda, khomus, nidlaphon, ghost catchers, morchang, dzuddahord, banbanng, pruzhingum, various percussion, cencaki, computer.


Penetration into Substance
The aim of this work is to find a common denominator for music sorcery in different traditions of the world. This CD is an experimental fusion of music folklore from Asia, Africa, Europe, Russia, Ancient Kuzhebar, experimental jazz and contemporary sampler surgery.

The recording method for this album was overdubbing. Vladiswar Nadishana plays on: mandola, dzuddahord, kalyuka, bansuri, zhaleyka, overtone flute, khomus, ac. guitar, fretless bass, voice, various ethnic flutes and percussion, computer.


Move Your Chakra! (music for healing the body)
This CD is the one of the results of our research "music and health". When somebody plays music in a specific way, it brings healthsome influence on a concrete system of inner organs of the human body. For example kalyuka harmonises bronchi and lungs, mandola - the heart etc. The tracks are ordered so that the harmonising effect flows from head to feet.


Russian - Tuvinian Karma Knot
This album was made following the main concept of the Sound Microsurgery Department: an experimental synthesis of different world traditions . Traditional tuvinian music is performed here in a completely new context. We join tuvinian throat singing on an african and indian rhythmic basis and apply the contemporary jazz harmony system in the arrangements.


Live in Izhevsk (Psycho-somatic music of Ancient Kuzhebar)


Phonic Duet
The style of this album is "transparent ECM jazz" Youl' - trumpet V. Nadishana - acoustic guitar.






Listen to the music

Tracks from Vladiswar Nadishana CDs are featured on the  "Fuse This Jazz" program

Photos



Website:
nadishana.com
Vladiswar Nadishana on myspace.com: www.myspace.com/nadishana

Vladiswar Nadishana's
Organic & Inorganic DVD

Buy the DVD

This DVD consists from 3 short movies, you can see the preview below. This aim of this project was to bring together ancient charactery with contemporary technologies. As a source of archaic symbols, movements and sound ideas we chose the culture of Ancient Kuzhebar (South Siberia), the culture that we belong to. The movie is based on two harmonical components: Archaic chactery and ethnic music of Ancient Kuzhebar aborigines (organic) Contemporary videoart, sound microsurgery (inorganic)