Grosskopf
File Under: G
Where others end, this recording just starts: the first song culminates in a brilliant drums-solo, normally the big final of a live-set. Actually a lot of things are different on sax-player Andreas Grosskopf's new CD "File under: G".
Heavy funk-instrumentals, slow songs and polished vocal-tracks - ... okay, you might say, we had all this before. But as soon as Charlotte Karlstedt lifts her voice, the quartet isn't only becoming a quintet, no, there is more: the singer has a rough, sometimes even laconically non-ornamented voice. This vocal brittleness doesn't fit into the typical Jazz-singer's pattern.
Remarkable: one listens to a woman having a strong vocal expression not being based on a typical scheme, but in the reflection of her own personality. The compositions of "File under: G" convince by a clear and original directness, the singing is fanciless and exciting, the groove is ultimate. Independent.
©Carina Prange, (jazzdimensions.de & Jazzpodium / February 2006)
In short sax-player Andreas Grosskopf might as well be the year 2006 version of Klaus Doldinger of Passport (and if you don't know who Klaus Doldinger is, just imagine an electric sax player who is a cross between Maceo Parker and Eddie Harris). That is how badd he is and that's how badd the album "File Under G" is. A few years ago he released an album of powerhouse Jazz-Funk which we reviewed called "Type: G". This time out for "File Under G" the results are similar, however Grosskopf up's the anty by also featuring the beautiful vocals of Charlotte Karlstedt on several cuts. It all works perfectly with the vocal cuts that remind me of the early 70's Flora Purim RTF and the instrumental cuts reminding me of like.... well.... Passport?
©Bob Davis, (soul-patrol.com) |