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ALEX COKE: Biography
Alex Coke, born in Dallas, Texas, received his B.A. from the University Of Colorado at Boulder in 1976, with emphasis on flute performance. An original member of the Austin-based Creative Opportunity Orchestra, Coke has performed with Tina Marsh in various formations for over 25 years. Before moving to Amsterdam in the early '90's he received several local awards including:
1988-1989 Best Jazz Band, Austin Chronicle Music Awards (Chris Duarte and Justus) 1990 Best Saxophonist, Music City Critics Poll/Austin Texas 1990 Best Jazz Bands Music City Critics Poll/Austin Texas (Countenance #1, and Worthy Constituents #3) 1990 Best Unsigned Bands Musician Magazine (Countenance, and Worthy Constituents) 2010 Austin Chronicle Music Awards Hall of Fame Nominee
From 1990-2000 he toured and recorded with the internationally renowned Dutch jazz group, theWillem Breuker Kollektief. An improvisor at heart, Coke's eclectic attitude has led him to explore everything from Be-Bop to Huddie Ledbetter. His flute studies have ranged from Eric Dolphy to Indian ragas on the bamboo flute to extended flute techniques such as those researched by Robert Dick, Ann LaBerge and Wil Offermans.
Coke's multifarious bands include the Live Action Brass Band, the Leadbelly Legacy Band, New Texas Swing, and his post-bop quintet, The Worthy Constituents, a collaboration with longtime partner, pianist Rich Harney with Martin Banks on trumpet. In 2005, Coke and Harney released a new cd of spirituals called "Soul Prayers."
He has worked with Gerald Wilson, Charles Tolliver, the Paradise Regained Orchestra and the Trio Henk de Jonge. He can also be heard with the John Jordan Trio, the Mysterious Quartet From Helsinki featuring Chris Duarte, Rob Verdurmen's Double Drummer Bill, The Greezy Wheels on the CD HipPOP and many, many others.
Coke's release, entitled "Wake Up DeadMan/Iraqnophobia," features two large group compositions commisioned by Tina Marsh and The Creative Opportunity Orchestra. It was recorded in the fall of 2004 and is on the VoxLox label which spotlights humanitarian and ecological causes. "Wake Up DeadMan" was featured in Forum Theatre on The Death Penalty at The Eye & Tooth Festival in Austin, where Coke was a panelist in March, 2009.
Coke's latest work, Its Possible, recorded in 2007, features duos and trios with Tina Marsh and Steve Feld and is also on the Vox Lox label.
Coke has also written original works thoughout the years for various groups including:
The Worthy Constituents
Creative Opportunity Orchestra
J.A.M.A.D.
New Texas Swing
Carl Smith Tentet
Ramone Herman and Labor of Love
Selected discography
▪ It's Possible, Alex Coke, VoxLox 308, 2008
▪ Topographies of the Dark, Sculptural Paintings by Virginia Ryan, VoxLox 108, 2008
▪ A Child's Christmas in Wales, w/ S Stern, R Harney, Aardvark Records 72008, 2006
▪The Compositions of Eric Dolphy, BVHAAST 1005, 2006
▪ Iraqnophobia/Wake Up Dead Man, VoxLox Records, 2005
▪ S.O.S., Drummers Double Bill, BVHAAST 0703, 2003
▪ New Texas Swing, Cre-Op-Muse 010 , 2002
▪ Through The Years 1988-2001, The Worthy Constituents, Cre-Op-Muse 08, 2001
▪ Horn To Horn, Live Action Brass Band, Outpost Productions 1999
▪ Out On The Western Plains, Leadbelly Legacy Band, Outpost Productions 1999
▪ Jumping Shark, Trio Henk de Jonge, BVHAAST CD9103
▪ Trained Ants, Authorized Bootleg, Cassette
▪ Alex Coke New Visions, re Records 001
With Creative Opportunity Orchestra
▪ Migration (limited release,2008)
▪ Circle of Light, CreOp Muse 08 , 2000
▪ The Heaven Line CreOp Muse 002
▪ Transformation Vol. 1 and 2, CreOP Muse, cassette
▪ RadioActive, The Creative Opportunity Orchestra, Daagnim 18
▪ Benediction, The Creative Opportunity Orchestra, LP/Daagnim Records
With Rich Harney
▪ Where Love Begins, Rich Harney, AR-72010, 2007
▪ Soul Prayers Aardvark 72007, 2005
▪ The Worthy Constituents, Cassette
▪ Aren't We the Lucky Ones, Countenance, cassette
With the Willem Breuker Kollektief
▪ Willem Breuker Kollektief at Ruta Maya Cafe Austin, Texas BVHAAST 0506, 2006
▪ With Strings Attached BVHAAST 0203 , 2002
▪The Parrot BVHAAST 9601, 2001
▪ Thirst BVHAAST 0300, 2000
▪ 25 Years On The Road (DVD/2CDS) BVHAAST 9914/15 , 1999
▪ Hunger, Willem Breuker Kollektief & Loes Luca, BVHAAST 9916 , 1999
▪ PAKKEPAPEN BVHAAST 9807, 1998
▪ Parade, Willem Breuker Kollektief, BVHaast CD 9101
▪ Kurt Weill BVHAAST 9808, 1998
▪ Psalm 122 BVHAAST 9803, 1998 .Music For His Films 1967-1994, Willem Breuker Johan Van Der Keuken, BVHAAST 9709-9710,1997
▪ Willem Breuker Kollektief Meets DJazzex BVHAAST 9513
▪ Sensamaya, BVHAAST CD 9509
▪ Overtime/Uberstunden NM Classics 92042
▪ Van Het Jaar Van De Ensembles (Compilation), Polygram 454 058-2
▪ Deze Kant Op Dames BVhaast CD 9301
▪ Parade BVHaast CD 9101
Featured Artist: ALEX COKE
Recent Releases
It's Possible (VoxLox 2008)
"This trio out of Austin, TX comprises voice, a variety of woodwinds (mostly flutes) West African multi-toned slit drum and toys. Several tracks are improvised over other recordings we do not hear (on #2 they are all listening to the record but not to each other!); tracks 4-7 are a suite in honor of Steve Lacy. Marsh’s vocals stretch and twist like taffy, laced with whispered syllables, and the instruments provide a timeless, often ritualistic “world music” feel."
KZSU Stanford Radio 90.1 FM
"The sounds on this trio CD are both ancient and postmodern, universal and obscure. Reed and flute player Alex Coke and singer Tina Marsh have a long association through an Austin, Texas ensemble called the Creative Opportunity Orchestra, and their simpatico is evident from the first mysterious notes of It’s Possible. Marsh’s vocals stretch and twist around Coke’s moaning, buzzing spirals and keening, fluttering lines like taffy, soaring high overhead and then dropping down for whispered syllables like some half-heard Balinese monkey chant. Beneath them, the calming tones of Steve Feld’s ashiwa (a West African slit drum) give the pieces an enigmatic, almost ritualistic air. On several tracks, the trio improvises over existing recordings which we do not hear. These pieces are missing their cores, but what is left is fascinating: disconnected reaction that implies but does not reveal the whole. The results are weird, spooky and restlessly inventive." Jazz Observer
Saturday, April 28, 2012 TENOR MADNESS
The Elephant Room
315 Congress Avenue
Austin, Tx
512.473.2279
9:30pm-1:30am
Tough Texas Tenor Men
Alex Coke & John Mills
bring it sax wise (and then some)
while Tough Texas Piano Man
Rich Harney fans the fire...
with Sam Pankey (Bass) & Aaron Easley (Drums)
Tuesday, May 1, 2012
Mente Clara w/ Alex Coke
Spider House 29th Street Ballroom
2908 Fruth
Austin, Tx 78705
10:00pm until 2:00am
Mente Clara returns to the stage on May 1 at 29th Street
Ballroom with some new tunes, as well as our usual fare from
Hermeto, Egberto, and others.
Saxophonist/flautist Alex Coke is visiting from Amsterdam
and was kind enough to join us for this date, so this set should
be especially fun.
Mike St. Clair will perform a solo show of his original
material to close out the night.
2pm
LIVE from Studio 1A @ KUT KUT Radio website
2504 Whitis Street
Austin, Texas 78712
512.471.1631
From Studio 1-A at KUT Radio, Jay Trachtenberg hosts a live set featuring bassist/composer Glenn Fukunaga, Alex Coke (woodwinds), Joel Guzman (keys), Kevin Flatt(brass) & Dony Wynn (drums).
Celebrating the release of Fukunaga's CD NOT A WORD, The Austin Jazz Alliance will be filming this taping for an archived video on their website.
Wed, May 2, 2012
4:30pm
Waterloo Records
600A N. Lamar
Austin, TX 78703
512-474-2500
& Thu May 3, 2012
Continental Gallery
1313A S Congress
Austin, TX 78704
(512) 441-2444
May 4
9:30-1:30
The Elephant Room
Alex Coke Rich Harney/WORTHY CONSTITUENTS
Alex Coke,
Rich Harney,
Pat Harris,
Masumi Jones http://www.elephantroom.com
Saturday May 5, 2012 6:30 PM
Jazz in Bastrop
Benefitting Boys and Girls Club of Bastrop County
On the Patio of Lakeside Professional Building
3101 Highway 71 East
(next to the new St. David's Emergency Center)
Bastrop, Tx 78602 map
Featuring:
Eric Johnson,
Rick McRae,
Alex Coke
and many more....
Cost: Minimum donation of $50 per person (includes dinner)
Tickets will be sold by advance purchase only.
For Tickets, directions, and for more information contact:
Anthony at the Boys and Girls Club
512.988.9077
or email roblesant@hotmail.com
SPONSORS
Advanced Home Health Services
Aqua Water
Andy Joshi, MD & Spine Center
Austin Gastroenterology
Bastrop Economic Development Corp.
Bastrop MRI
Bastrop Regional Foot & Ankle Ctr.
Bluebonnet Electric Co-op
Capital Cardiovascular
Cardio Texas
Central Texas ENT
Clinical Pathology Laboratories
Daniel Ladd, DO - Dermatology
Family Health Center of Bastrop
First National Bank of Bastrop
Forestar Real Estate Group
Frank Rainosek - Realtor
Insurance Network of Texas
Lakeside Professional Building
Lost Pines Center for Cancer Care
Marci A. Roy, MD – Neurology
Pain Care Physicians – Dr. Joshi
Pain Specialists of Austin – Dr. Vije
St. David's Emergency Center
Texas Heart and Vascular
"Texas music comes in all shapes and sizes, but rarely does it take the elusive form served up here by local saxophonist/flautist Alex Coke. New Texas Swing swings all right -- hard -- but certainly not in the traditional sense. The album's title is perhaps borrowed from NPR commentator Kevin Whitehead's book, New Dutch Swing, which examined Amsterdam's Dadaistic jazz scene. Coke, a former member of the Amsterdam-based Willem Breuker Kollektief, has injected a similar exuberance into the music of various Texas composers ranging from Huddie Ledbetter (Leadbelly) to Ornette Coleman. Recorded live at Amsterdam's legendary BimhausBimhuis, the result is a sometimes challenging, often mesmerizing, headlong excursion into creative improvisation that's grounded in the tradition of Texas folk forms, but contorted, reshaped, and extrapolated into something altogether different. Coke has gathered a cast of free-jazz veterans that includes Steve Lacy drummer John Betsch, Kollektief bassist Arjen Gorter, and Austin's CO2 vocalist/matriarch Tina Marsh. Together they have a field day winding their way through thorny musical passages. Versions of the two Leadbelly tunes were previously recorded by Coke and Marsh some 15 years ago with their Leadbelly Legacy Band, while a rendering of Ornette Coleman's lovely "Mothers of the Veil" appeared on Marsh's Out of Time. These live sides contain more depth, refinement, and energy with Marsh's acrobatic vocal dexterity providing a noteworthy foil to some of Coke's most impressive playing to date. This may not be your grandparents' idea of swing, but like many Texans, Coke sometimes likes to play by his own rules."
"Commissioned by Tina Marsh for Austin's Creative Opportunity Orchestra, Alex Coke correlates the Texas prison setting of his previous "Wake Up Dead Man" suite with Iraqnophobia and the misfortune of innocent citizens caught in an endless war. With each movement inspired by the images of local photographer Alan Pogue, Coke personalizes hardened convicts and the Iraqi spirit by translating their characters through jazz. Taking cues from the hard bop of Sonny Rollins, the free jazz of Eric Dolphy, the soul jazz of Larry Young, and the jazz fusion of Michal Urbaniak, CO2 puts 25 years of experience as a functioning collective into the visual expressionism of their playing. Wielding a tenor saxophone to vault himself across the "Danger Line" of "Wake Up Dead Man," Coke releases pent-up emotion upon a world oblivious to the concept of forced prison labor as slavery updated. As Iraqnophobia shifts the sands of lost time to foreign lands, an exploratory communiqué between divergent cultures ripens with Marsh's vocal dervish on "Longnecks and the Shah." A healthy dose of empathetic projection and Middle Eastern modal landscapes lend Iraqnophobia its insider's view."
